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Djuna Barnes documents:This collection is available to the general public and is employed when you look at the Unique Collections reading room

Djuna Barnes documents:This collection is available to the general public and is employed when you look at the Unique Collections reading room

Utilize and Use Of Collection

Scientists must register and consent to copyright and privacy rules before utilizing this collection.

As a result of the condition associated with collection, users will access the microfilm surrogate for Series I-IV. Authorization to look at the original documents must be submitted to Special Collections and University Archives prior to your see. Initial pieces of art in Series VIII are delicate and are also consulted just by visit.

Duplication and Copyright Information

Photocopies or electronic surrogates may be supplied relative to Special Collections and University Archives replication policy.

Copyright resides utilizing the creators of this papers or their heirs unless otherwise specified. It is the researcher’s duty to secure authorization to create materials through the appropriate copyright owner.

Inquiries about permission to write the works of Djuna Barnes must certanly be directed towards the Authors League Fund, 155 liquid Street, #206, Brooklyn, NY 11201 Tel: 212-268-1208, Fax: 212-564-5363 e-mail:

Archival materials may include materials with delicate or private information that is protected under federal and/or state right to privacy legislation or any other laws. Some may be missed during our processing while we make a good faith effort to identify and remove such materials. If your researcher discovers sensitive and painful private information in a collection, please carry it to your attention regarding the reading space staff.

102.00 Linear Feet

Extra Description

Scope and Information of Collection

Noted journalist and avant-garde writer Djuna Barnes was created in Cornwall-on-Hudson, nyc, on June 12, 1892, the next son or daughter and just daughter of Wald and Elizabeth Chappell Barnes. Barnes studied art during the Pratt Institute (1912-1913) and also at the Art scholar’s League of the latest York (1915-1916).

In 1913, she started being employed as a freelance journalist and illustrator for the Brooklyn day-to-day Eagle and had been quickly composing and illustrating features and interviews when it comes to ny Morning Telegraph , the latest York Press , in addition to nyc Sun , among other magazines. During this time period, she became active in the bohemian milieu that is artistic of Village. She published poetry ( The Book of Repulsive Women , posted in 1915) and lots of brief performs (“Three From the planet earth,”? “Kurzy of this water,” and “an triangle that is irish), that have been made by the Provincetown Players in 1919 and 1920.

In 1921, Barnes travelled to European countries, then invested the majority of the next 20 years in England and France. She penned features and interviews for Vanity Fair , McCall’s , Charm , and Smart Set , an everyday line for Theatre Guild Magazine , and poems and stories for literary publications such as for example Dial , change , and Transatlantic Review . Her book-length writings in this period contain a number of her brief tales, performs, and poems, A Book (1923) , that has been revised and republished in 1929 as every night on the list of Horses , the Ladies that is satirical Almanack1928), as well as 2 novels, Ryder (1928) and Nightwood (1936). Regarded by many critics as her masterpiece, Nightwood had been impacted by Barnes’s event with Thelma Wood. The novel had been written beneath the patronage of Peggy Guggenheim and championed by T. S. Eliot, Barnes’s editor at Faber and Faber.

In 1939, Barnes returned to the United States, and, in September 1940, she moved into an apartment at 5 Patchin Place in Greenwich Village, where she res >The Antiphon (1958), which was produced in Sweden in 1961 in a version co-translated by United Nations’ secretary Dag Hammarskjold october. Another number of her stories that are short Spillway , ended up being posted in 1962, the entire year by which Selected Works ( Spillway , The Antiphon , and Nightwood ), showed up. During the 1960s and 1970s, Barnes additionally composed poetry that is much though little ended up being posted. Her last work had been the verse menagerie Creatures within an Alphabet (1982). Barnes passed away in new york on June 18, 1982, during the chronilogical age of ninety.


Custodial History and Acquisition Information

Location and existence of Copies

Associated Material

Materials pertaining to the Papers of Djuna Barnes held collections that are special the Barnes Family Papers, the Papers of Saxon Barnes, the Papers of Elsa von Freytag-Loringhoven, the Papers of James Stern, the Irwin Cohen Collection, the Papers of Phillip Herring, the Chester web Page Collection, the Papers of Andrew Field, plus the Papers of Frances McCullough. a recording that is uniqure of reading through The Antiphon , created by Chester web web Page in April 1971and acquired with all the McCullough documents, can be obtained at Crucial communication of Barnes with Emily Coleman is within the Emily Holmes Coleman Papers in the University of Delaware Library, Newark, Delaware.

The Rare Books Department has responsibility that is curatorial the part of Barnes’s individual library that has been obtained together with her documents. The Barnes’s collection contains over 1100 games and it is available through the University of Maryland Libraries’ online catalog. Please see the description in Series 9: Library to find out more.

Processing Information

Since its purchase because of the University of Maryland, the Barnes documents have already been prepared many times in mostly piecemeal fashion. Within the springtime of 1996, most of the collection except the photographs and art underwent major reprocessing. This work custom writings included producing a series that is new of and individual documents and merging the 2 alphabetical runs of communication. Materials previously into the “Typescripts, web page proofs, scripts,” “Publications,” and “Appendix B: Laminated Papers” were brought together in to a single “Writings” series. Other work included integrating the unprocessed addenda for the collection (previously “Appendix A”) into current show and combining the “Clippings,” “Pamphlets,” and far of the “Miscellaneous” series into an individual “Printed Matter” series. In Fall 1996, a series that is new “Serial Publications,” is made. “Book Catalogs” formerly positioned underneath the “Printed Matter” series were relocated into “Serial magazines.”

In 1998, the rest of unprocessed things had been incorporated into the collection. Additionally, the picture and art appendices had been changed to show and renumbered and rearranged as necessary. Area VI, Cards, and Section VII, Printing Blocks, had been put into the art show. The Barnes pen and ink drawings donated in 1997 had been additionally included in to the creative art show. In 2000, items acquired from a dealer were integrated into the collection november.

In July 2001, preparations to microfilm the initial four variety of the collection started, including some reprocessing. Significant time had been dedicated to dating materials that are previously undated reorganizing the materials appropriately. In Series II, Correspondence, there clearly was a file that is general each page associated with the alphabet that included communication from numerous indiv >Djuna Barnes: A Bibliography (Rhinebeck, N.Y.: D. Lewis, 1975).

The arrangement of Series IV, Printed situation, ended up being discarded only at that right time; “On Barnes” became “About Barnes”; “On Barnes’s Writings” happens to be en titled “About Barnes’s Writings”; and “On people” and “Other” had been combined to create “Collected by Barnes.” Things within six for the eight “miscellaneous” files were grouped together under headings, such as for example book reviews and health, and arranged alphabetically under “Collected by Barnes.” In addition, English translations of articles had been reunited with regards to language originals.

An effort ended up being meant to bring some purchase to Barnes’s poetry. Whenever possible, materials within each folder had been put in chronological purchase, and fragments based in “Poems, Fragments” which were perhaps maybe perhaps not poetry-related had been relocated to “Notes, Miscellaneous fragments.” Many significantly, the poems in “Early Poems” were partioned into specific folder by title and incorporated into the schema that is alphabetical of show.

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